Working in the shop exposed me to all kinds of music that I might never have listened to otherwise.
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TV presenter Tony Wilson was a regular customer as was Rob Gretton, who was the DJ at Rafters and Pips Disco. I met a lot of musicians and arty people there.
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In the end, after kicking my job at an advertising design studio, I went to work at Virgin full time.
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The manager of the store noticed I was there every weekend and very well informed for a teenager and eventually he asked me to help them out, I got paid in records at first – I would have spent my wages on records anyway – then I got paid a proper wage and still got free records. The shop usually smelt of incense, to cover up the smell of the grass being smoked in the back room. This shop was my mecca.Īlthough I knew all the other record shops in Manchester since being a small child, Virgin then was a new shop and all the people who worked there I thought were super cool and helpful and they would let you hang out there all day listening to records. I worked at Virgin Records and Tapes on Lever Street from being a teenager. How did working at the Virgin Records Store in Manchester influence your taste in music? I like being a tourist in my hometown, there’s so much to rediscover. It has become a very cosmopolitan city with a really positive vibe. I feel very privileged to have lived in this particular era of pop music where everything was possible and everything was new.Īlthough I have lived in Berlin for 40 years, I still return to my motherland of Manchester a few times a year to see my family and friends and it’s also nice to see how Manchester has changed and keeps transforming. Musically though, those formative years obviously influenced me, especially as a teenager. After my first trip to mainland Europe, I too wanted to escape. A lot of people were unemployed and most made music in the hope they could escape the city and the boredom. Manchester of the 60s and 70s was a very gloomy, grimy and frustrated place and it reflected on the music produced in the city.
Dragged around the record stores with my older cousin I got to hear it all. Growing up in Manchester influenced all my music in one way or another. Shark Vegas Has this city influenced your work? It’s due to close in its current venue on 12th August 2017 This is one of the last chances you have to see a gig at this authentic venue. It will be an exclusive opportunity to hear his latest album Mauerstadt, featuring remixes of artists including New Order and Queen of Hearts. He has been described as a godfather of early electronic music and his influence on Manchester was celebrated in the opening music to Manchester International Festival 2017.Īnd now Mark Reeder is returning to Manchester from Berlin to DJ at an exclusive gig at Tiger Lounge on 5 th August. He’s worked with the likes of the Pet Shop Boys and Sam Taylor-Wood and recently he’s been working with Manchester musical collective Modern Family Unit and remixing their track Law. His remixes have been particularly well known. He became Factory Records’ German representative, formed the synthpop-rock duo Die Unbekannten, toured western Europe with New Order and, controversially, brought the Dusseldorf band Die Toten Hosen to play in the East during the 80s. But it was in Germany, where he worked from 1978, that he made it even bigger, founding the dance music labels MFS and Flesh. It was here where he started out, forming punk band The Frantic Elevators with Mick Hucknall and Neil Moss in early 1977. In a career spread over three decades creating, producing, composing, and remixing, he has worked with the likes of artists including van Dyk, Inspiral Carpets and New Order. You may not have heard of Mark Reeder, but you’ve probably heard his music.īorn in 1958 and raised in Manchester, little did anyone think back in the 1970s that the local lad who worked in the Manchester city centre store of Virgin Records would go onto become an acclaimed musician and record producer.
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